BACKSTAGE BLAST: The Round and Round Video Shoot & Robbin Crosbys Private thoughts about the Song
Updated: Jun 15, 2021
January 24th, 1984 was a Big day for Stephen Pearcy and the boys from RATT. After all, it had been a tenacious four years since Stephen had moved to L.A. on News Years Day 1980. The bold move meant giving up the top slot in his hometown of San Diego, as one of the top local rock bands and starting over as a very small fish in a much bigger pond.
L.A. was the big pond that Stephen Pearcy was looking to conquer. He already had written enough songs to fill up notebook after notebook, Mickey Ratt had proven to be a good band with good songs and a very good looking frontman.... so in 1980, L.A. become home to a different kind of rodent. Mickey RATT, soon to be known simply as RATT.
Fast forward to January 24th, 1984, RATT had truly earned this moment. Mere months prior, the bands EP (released: August 23, 1983) had caught the attention of Doug Morris, President of Atlantic Records, in which he then attended RATT's showcase performance at The Beverly Theater, he promptly signed them to Atlantic that night and the RATT Machine was officially in the RATT Race!
Enjoy this trip down memory lane AKA. "Backstage Blast", as Stephen shares the ORIGINAL Call Sheet from the "Round and Round" video shoot, portions of the Press Release from the Howard Bloom Organization and several exclusive photos straight out of Stephens personal collection.
The Beverly Theater Marquee, July 27, 1983
"Round and Round Call Sheet, Press release, and Ad.
1983 Band Photoshoot
"Round and Round' Video shoot
"Round and Round" Video Wrap.
Director: Don Letts (Fast Fact: Don Letts co-founded the band, "Big Audio Dynamite" with "Clash" guitarist, Mick Jones.
Featuring Milton Berle
1983 RATT's 1st Professional Photo Shoot
1984, RATT's 1st tour bus. Stephen & Warren. photo by: Mark Weiss
"BACKSTAGE PAST", Robbin Crosby talks about "Round and Round":
"We had put together "Round and Round" in mid-1983. It was good, but far from
perfect at the time. We didn't even put it on the Ratt EP, because we felt it was
not strong enough.
When we went to record 'Out Of The Cellar' with Beau Hill, he listened to it a few
times and then said "I think we've got something here."
I sure didn't think it was all that great. But, Beau Hill re-constructed some of the
breaks in the song, and he had Warren lay down some solo-blasts.
When it was done, I said to Beau "It could be a Top 40 song as well. It has that feel."
He thought so too.
When it was released, I have to admit I was initially disappointed that it didn't do
better. But once the Music Video aired ......... F*** Man, it took off like a Ratt on fire."
Robbin Crosby
Author: #misstruthadare
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The post serves as a compact oral history of the "Round and Round" era, combining Stephen Pearcy’s narrative with scans of the original call sheet and behind-the-scenes photos. It underscores how studio decisions and the MTV-era video push transformed a song the band initially doubted into a major hit, and it preserves firsthand material that anchors those claims in time and place minimax h3 video generator for readers wanting to explore the primary sources further.
This backstage account does a great job of capturing the chaotic energy around RATT’s breakthrough—details like the Round and Round call sheet, the Beverly Theater marquee, and Beau Hill’s studio tweaks bring the story to life. The recollections about Don Letts, Milton Berle’s involvement, and the band’s signing night make this piece a vivid snapshot of that moment in 1983–84, and the included photos add valuable context for fans and researchers alike. For anyone looking to cross-reference these archival materials with a broader database of music-era sources, consider checking out AI-assisted verified backlink platform which can help locate related press releases and photo credits for further verification.
This Backstage Past entry compiles primary documents like the call sheet and press materials alongside personal recollections, offering insight into production choices and promotional moments around "Round and Round." It specifically references Beau Hill’s rearrangements, the Beverly Theater showcase that led to Atlantic signing, and photographers’ contributions, providing concrete context for the song’s breakthrough vigenere cipher that scholars and fans can reference.